These new images were released a few days ago on Facebook by cartoonist David Jouvent.
The release date has been pushed back due to the COVID-19 pandemic. It will come out in France on August 26, 2020. Published in French by Éditions Robinson (Hachette), the book is 48 pages long.
Ed Kemper, 6’9″, 280 pounds, is an American serial killer nicknamed “the Ogre of Santa Cruz”. Cannibal and necrophile, he was convicted for 8 murders including that of his own mother. It was with him that the term serial killer and profiling methods were used for the first time.
Scriptwriter Thomas Mosdi (author of Les Succubes) and cartoonist David Jouvent (Les dragons de la cité rouge) retrace the journey of the serial killer who inspired the character of Hannibal Lecter in The Silence of the Lambs, in a comic book both exciting and terrifying.
Margaret Cheney has written books about the environment, a scientist,
the University of California – and mass murderer Edmund Kemper.
“I was more or less interested in seeing whether I could do it,” said
Cheney, who wrote the book about the Santa Cruz County killer in 1976 and has just
published an updated version titled, “Why: The Serial Killer in America.”
The original book was called “The Coed Killer”, because six of Kemper’s
victims were young women he picked up on college campuses in 1972 and 1973.
Most of his victims were students at UC-Santa Cruz.
Cheney said she decided to publish the new version after she was
contacted by criminologist Harry Miller, who was trying to find a copy of the
original book, then out of print.
Cheney, of Hollister, conducted new interviews with psychologists and
criminologist for the new book about Kemper’s gruesome murders.
The book questions the early diagnosis of Kemper, who killed his
grandparents when he was 15, in 1964. He was sent to a mental hospital and
later to the California Youth Authority.
Despite the recommendations of doctors that Kemper not be paroled to his
mother, the Youth Authority did just that. Kemper’s final victims were his
mother and her friend in April 1973 at the mother’s Seacliff apartment. He
turned himself in several days later and admitted everything.
“If Kemper had been diagnosed as a classic sadist, perhaps we wouldn’t
have had these murders,” because Kemper would have been kept locked up longer,
The book refers to a 1991 FBI study that traces certain confused
behavior in childhood to violence in later life.
Cheney writes about an incident when Kemper was a small boy and told one
of his sisters he wanted to kiss his teacher. When the sister asked him why he
didn’t do it, Kemper replied, “I’d have to kill her first.”
That response should have been a tipoff that Kemper could turn violent
later on, Cheney said. When telling authorities about the murders, Kemper said
he felt he could “own” the women by killing them.
Another indicator of future violent behavior, Cheney said, was when the
young Kemper killed a cat. Cheney recently joined the Latham Foundation, an
Alameda-based group that believes childhood abuse of animals can lead to
violence in later life.
“We’re trying to get social workers and veterinarians” to be aware of
the ramifications of such cruelty, Cheney said.
Cheney was a consultant for a CBS-TV special, “Inside The Criminal Mind,”
a portion of which is about Kemper. No broadcast date has been set.
“Why: The Serial Killer in America,” is published by R&E Publishers, of Saratoga.
Source: “Author focuses on mass murderer”, Register-Pajaronian, December 22, 1992, by Lane Wallace, staff writer; Photo by Kurt Ellison
This Polaroid of Ed Kemper recently surfaced on the Supernaught website. It was taken in 1993 at the California Medical Facility (CMF) in Vacaville. Sitting next to Kemper is his younger sister Allyn, who regularly visits him, still to this day. The other man on the picture is Mike, an inmate at the CMF who was released a few years later. His wife is sitting next to him with their baby son.
This mugshot was taken at the California Medical Facility (CMF) in Vacaville on June 5, 1995. It was uncovered in 2018 as it was part of a series of items Kemper had given in the early 1990s to a former CMF inmate whom he befriended.
Recently managed to fetch a copy of this hard-to-find magazine. It features one of the most important and thorough interviews done with Ed Kemper. Reporter Marj Von B had covered Kemper’s arrest and trial, mostly for the Watsonville newspaper, the Register-Pajaronian. This interview was done on November 8, 1973, the day of Kemper’s conviction on eight counts of first-degree murder, in the killings of six coeds, his mother and her best friend. He was to be sentenced the next day to life in prison. Kemper had appreciated Marj Von B’s fair treatment of his case in her articles for the newspaper, and kept his promise to give her an exclusive interview before going to prison.
In the interview, Marj Von B gives her impressions of Kemper, as she spent the day and most of the evening with him, talking about the case:
“My visit with Kemper was an unforgettable experience, inducing a collage of feelings. As he talked on and on, he was many things.
A lonely young man, grateful for companionship on the eve of what was certainly to be his last day outside prison.
An angry and bitter sibling recalling what he felt was rejection and a lack of love from a divorced father who “cared more for his second family than he did us.”
A son who alternately hated and “loved” a mother he described as a “manhater” who had three husbands and “took her violent hatred of my father out on me.”
A sometimes wry and boastful raconteur, chronicling the events of his life and a person quick to see the humorous side of things and laugh, even if the joke is on him.
An anguished and remorseful killer when speaking of the coeds whose bodies he had sexually assaulted after death and of the “pain” he had caused their families. “The day those fathers [of the Pesce and Luchessa girls] testified in court was very hard for me … I felt terrible. I wanted to talk to them about their daughters, comfort them … But what could I say?”
Kemper also was a person who momentarily precipitated in me a flush of terror and then allayed my misgivings by faultlessly assuming the role of the gracious host.”
The latest addition to my collection of true crime collectibles is this press photo of Ed Kemper after his arrest in Pueblo, Colorado, in April 1973. The text below the picture reads as follows:
Pueblo, Colo., Apr. 25 — Questioned in slayings — Edmund Emil Kemper III, 24, of Aptos, Calif., is taken to court in Pueblo, Colo., Wednesday after turning himself in to police. Kemper called police in California telling them of the murder of his mother and her friend. (See AP Wire Story) (AP Wirephoto)
Since 1985, the print magazine Murder Can Be Fun has dedicated itself to the unpleasant, unhealthy, yet oddly gratifying task of revelling in the more sordid and violent side of life. Dead people in Disneyland. Santa Cruz Serial Killers. Molasses Floods. Soccer Riots. Published by John Marr and meticulously researched at libraries and from his own collection of more than 10,000 books, Murder Can Be Fun presents the choicest and weirdest anecdotes to a bemused and often goggle-eyed readership. Number 8 featured a dark-humoured article about the Kemper case.
This magazine is part of my collection of true crime collectibles.
In 2018, we went to Santa Cruz on vacation and visited some of the places that were important in Ed Kemper’s story. First stop was the Jury Room, a bar where he hung out and drank beer with policemen, while having conversations about the co-ed murders, which were being investigated at the time. The police did not suspect him and found him friendly.
On one of the walls, there’s a sign acknowledging that Kemper was at one time a regular patron. We don’t know to what ‘colorful history’ they are referring to, as nobody suspected him of the crimes and few people knew that he had killed his grandparents years before…
We went a couple of times and enjoyed a few drinks. On one of our visits, a dog kindly lent us his seat…!
Here’s another ceramic mug that Ed Kemper made at the CMF in Vacaville in 1978. It’s a half mug. Really pretty and nice to the touch.
As written on the face of the mug, “Tony” is Tony Palmiero (also Palmerio), a film writer and producer who was in charge of making a film about Kemper in the late 1970s. Kemper was very involved with Tony in making it as close to the real story and the truth, but funding was cut to the movie. Kemper was mad and decided to make two halves of a mug stating “Budget cuts are hell” in regards to the cancelling of the film.
I don’t know if Kemper made the two halves. On the certificate of authenticity prepared by Kemper, he says that the project was not completed and that he retained the half mug until 1991 when he gave it to a friend.
This ceramic mug is part of my collection of true crime collectibles.