We published a post on December 30 about this book, but we learned recently that an expanded version was just released. And what has been added to the book is quite awesome. Indeed, Kemper’s 1973 confessions after his arrest in Pueblo, Colorado, are now included in the book. Quite a riveting read for any Kemper researcher!
This book was already fun since it collects all of Kemper’s most important interviews. Now, it’s even more complete! Available to buy on Amazon.
Got this for Christmas! I wasn’t aware of this book before receiving it as a gift. Independently published in 2020 by author Peter Scott Jr., it presents Kemper’s story through newspapers articles, interviews and personal encounters. It includes written transcripts of some of Kemper’s most famous video interviews, such as the ones for the documentary “Murder – No Apparent Motive” (1984), the FBI Academy (1989) and Stéphane Bourgoin’s “Serial Killers” (1991). Also included is the full transcript of Kemper’s 2017 parole hearing.
This book is nothing new for seasoned Kemper researchers, but it is fun to have a book that collects all of Kemper’s most important interviews. This book is also a good starting point for anyone interested in knowing more about Kemper.
Author Peter Scott Jr. has published a similar book about Charles Manson, Manson on Manson, also released in 2020. Both books are available on Amazon.
Born on December 18, 1948, serial killer Edmund Kemper turns 72 years old today. He is still incarcerated at the California Medical Facility in Vacaville, where he has been living since his conviction in 1973.
Edmund Emil Kemper III is the second of three children and the only son born to Edmund and Clarnell Kemper. Kemper bitterly recalls that his father was not around much when he was young and that his parents separated completely when he was 9, after which his mother moved the family from California to Montana. As a result of the move, Ed almost never saw his father. This greatly embittered him, and he blamed his mother entirely. As a child, Kemper was physically and socially awkward, always the largest boy in his class. He ultimately grew to 6 feet 9 inches and weighed 280 pounds. He was a loner who dwelled in the world of science-fiction and the occult for escape. His mother once wrote, “I was deeply worried during the years about the lack of a father relationship, and so I tried everything I could to compensate for that.” According to Ed, this meant she felt a need to punish and ridicule him in order to “make him a man.”
Source: Murder and Madness by Donald T. Lunde, 1976, San Francisco Book Company / Image taken from documentary The Killing of America by directors Leonard Schrader and Sheldon Renan (1981)
“I didn’t go hog-wild and totally limp. What I’m saying is, I found myself doing things in an attempt to make things fit together inside. I was doing sexual probings and things, I mean, in a sense of striking out, or reaching out and grabbing, and pulling to me. But appalled at the sense that it wasn’t working, that isn’t the way it’s supposed to be, that isn’t the way I want it. You see what I’m saying? And yet I get, during that time, I become engaged to someone who is young, and is beautiful, and very much the same advantages, and very much the same upbringing, and Disneyland values. And, uh, she’s very much the reason I surrendered.”
ed kemper about getting engaged during his crime spree
“Three months after I was out, I was back into the fantasy bay. – My first date was an absolute disaster. It wasn’t her fault, you know. And I didn’t blame her even then. I’m saying – it was a terrible tragedy but boy was it – she never talked to me again, it was awful. Wasn’t sexual or [gr…] I was just such a dork, taking her to a John Wayne movie and at Denny’s. It was terrible. I’d never been on a date! At 16 that was cool, you know?! I’d never been on a date! You know? I was locked up since I was 15, but I can’t tell her that, ‘Oh gee, don’t mind me,’ you know. She got kinda hung up on my looks or whatever, I mean, she’s a gorgeous young lady, pure class, and she saw something there that wasn’t there, and boy, did she find out quick.”
Ed Kemper about his first date after his release from atascadero in 1969
Source: The Killing of America (documentary directed by Leonard Schrader)
“As I’m sitting there with a severed head in my hand talking to it, or looking at it. And I’m about to go crazy, literally. I’m about to go completely flywheel loose and just fall apart.
I say, ‘Wow, this is insane.’ And then I told myself, ‘No it isn’t, you’re saying that and that makes it not insane.’ I said, ‘I’m sane and I’m looking at a severed… Wait a minute, wait a minute, I’d seen old paintings and drawings of Viking heroes and talking to severed heads and taking them to parties, old enemies in leather bags. Part of our heritage.
That’s just me back then. In 1972, and ‘73. Unable to live with the fact that I just stabbed to death and cut the throat of an innocent young woman.”
ed kemper, about his victims’ severed heads, in the 1981 interview for the documentary “the killing of america”
A wave of panic seizes him. The events of the last hours are jostling in his head. He thinks of his mother. The fact of having cut off her head does not disturb him more than that; after all, she is not the first to whom it happened! And, besides, she was already dead. He who read the Bible so much during his imprisonment [at Atascadero], to the point of identifying himself very much with the character of Job, he sees in the destiny of his mother, the hand of God. It is even more than a symbol when he thinks about it: “This hand is the left hand of the Lord, I have always considered my mother as a great being, someone very fierce and sinister. She has always had a great influence on my life, and when she died, I was very surprised to find that her death was like all my other victims, how vulnerable and human she was, which has left a mark on me and still shocks me today. The left hand of the Lord is the one he uses to punish, and I, that guilty and left-handed son, cut off my mother’s left hand. That’s enough to make me flip, right? ”
Source: L’Ogre de Santa Cruz de Stéphane Bourgoin / Images: The Killing of America